Star Wheel

2012

·

Minneapolis, Minnesota

Sector

Public Art

Client

Airport Foundation MSP

Architect

Metropolitan Airports Commission

+ Project Details

Star Wheel — terrazzo, stone, and mosaic floor public art in Minneapolis, Minnesota, by Scott Parsons

Abstract

A terrazzo floor in the Humphrey Terminal that sets the Minnesota landscape and the movement of people beneath the stars turning around Polaris. Canoe ribs, prairie grasses, an astrolabe set to the airport's latitude, and petroglyph markers from Jeffers Petroglyphs guide travelers through the design.

Narrative

Star Wheel is a time piece located in the Humphrey Terminal at the Minneapolis-Saint Paul International Airport. It reflects the beauty and diversity of the Minnesota landscape and the historical movement of people across these ecotones, beneath the movement of the stars. There are a number of constellations visible in the floor, including the North Star Polaris and the Little Dipper. All the other stars spin around Polaris which serves as a longstanding navigational marker of the night sky.

Tall grass prairies are represented by the flickering movement of early spring grasses near my home at Blue Mounds State Park in Minnesota. I have hiked there with our children, flown kites, painted plein-air on the prairie. These grasses are shown with thin 16-gauge divider strip on both ends of the design which appear and disappear into the dark sea of blue and yellows as you walk across the floor. The navigational waterways, both rivers and lakes of Minnesota, are evoked through the large abstract depiction of a canoe's ribs, thwarts and inwales. It is my own canoe, a Merrimack with cherry ribs and hardwood ash appointments from the gunnels to the yoke, which we have paddled in the Boundary Waters. Numerous silver-coated, mirrored and mother-of-pearl shell pieces in the floor are meant to evoke the reflection of stars on the surface of the water.

To convey a sense of navigation and discovery, I have included the image of an astrolabe which is set to the exact latitude for this section of the airport, N 44.8819°. The Roman numerals tell another story of time and time-keeping which is ever present in airport travel itineraries. Other directional and wayfinding markers are layered into the design with reference to the wonder of the petroglyphs inscribed into the Sioux Red Quartzite at Jeffers Petroglyph Park. These are what I believe to be atlatl images. At the edges of the floor they extend outward into the surrounding terrazzo, breaking out of the composition. I wanted them to misbehave a bit. The quartzite aggregate used in this floor came from the East Sioux Quarry, operated by L.G. Everist, bringing the actual stone of the landscape outside the airport into the floor.

As airline passengers and visitors pass through this terminal, I want them to connect their own travels and adventures in Minnesota and beyond to this larger movement of history and discovery. The story of humanity is one of a great journey: in a sense, we are all travellers. We locate ourselves in the stories that evoke our comings and goings, affirmed by the imagery which guides us in our discoveries of what might lay ahead and in our returning home.

Circular terrazzo floor composition with radial geometry, celestial imagery, and linear markers suggesting time, navigation, and astronomical systems
Detail of terrazzo floor with intersecting color fields and linear elements, reflecting geometric structure and spatial orientation
Terrazzo detail with Roman numerals embedded in curved band, referencing measurement of time within circular composition
Terrazzo detail with fine linework and circular markers suggesting star mapping, trajectories, or celestial measurement
Terrazzo astrolabe integrated into larger composition, connecting human presence with celestial themes
Close-up of terrazzo surface featuring Roman numeral IX within geometric field, reinforcing time-based structure
Child dancing across circular terrazzo design, illustrating interaction, play, and embodied experience within the installation
Terrazzo detail with grid lines and contrasting bands suggesting measurement, calibration, and navigational systems
Large circular terrazzo composition with intersecting linear paths and layered imagery, evoking astronomical instruments and timekeeping
Terrazzo detail with concentric and radial forms suggesting orbital movement and cyclical systems
Terrazzo surface with Roman numeral XII integrated into dark field, referencing the structure of time within the composition
Artistic terrazzo detail with flowing blue form within layered color field, suggesting movement and continuity within the overall design